Julian Lucas

Dread Scott’s Rebellion

A profile of the performance artist as he prepared to stage a reenactment of North America’s largest-ever slave rebellion. (Vanity Fair)
Dread Scott’s Rebellion

New Books (Chu, Robin, Oyamada)

Reviews of Andrea Long Chu’s “Females,” Corey Robin’s “The Enigma of Clarence Thomas,” and Hiroko Oyamada’s “The Factory” (Harper’s)
New Books (Chu, Robin, Oyamada)

Caleb Crain, Yoko Ogawa, and Digital Surveillance

A review-essay on two novels concerned with surveillance. (The New York Times Book Review)
Caleb Crain, Yoko Ogawa, and Digital Surveillance

New Books (Tokarczuk, Watson, Folarin)

Reviews of Olga Tokarczuk’s “Drive Your Plow over the Bones of the Dead” (trans. Antonia Lloyd-Jones), Lyall Watson’s “Heaven’s Breath,” and Tope Folarin’s “A Particular Kind of Black Man” (Harper’s)
New Books (Tokarczuk, Watson, Folarin)

New Books (Gates, Eagleton, Flores)

Reviews of Henry Louis Gates Jr.’s “Stony the Road,” Terry Eagleton’s “Humour,” and Fernando A. Flores’s “Tears of the Trufflepig.” (Harper’s)
New Books (Gates, Eagleton, Flores)

Ian McEwan’s Robot Novel

A review of “Machines Like Me.” (The New Yorker)
Ian McEwan’s Robot Novel

Chang and Eng, the “Siamese Twins”

A review of two biographies of the performers—by Yunte Huang and Joseph Andrew Orser—who became slaveholders after their success in the circus. (“The Great Assimilationists,” The New York Review of Books)
Chang and Eng, the “Siamese Twins”